Sunday, November 25, 2007

A life in the evening.



So, after a break of a day or two, I'm writing my first blog post. I don't know why, but even after a day or two not writing, it feels a bit strange coming back to it. It had just become something so part of my routine to write something, by the last few posts it was even pretty easy.

These last two days are interesting. I finally got some art supplies with whatever meager money I earned from tutoring. Wednesday night was my first private tutoring lesson with this old man I met in a park. I guess I should tell that story, its a good place to start.

So, walking home from the Bastille, there's a elevated park that runs along what used to be an old train line. Its called "La Viaduct Des Arts," its beautifully maintained and has a gives a higher vantage point to see paris as I walk home. Well, being poor, I'll do anything to cut corners on costs. Along the walk there are plants that are edible. Trying to figure out what plants are what, I nibble on ones that look familiar. I was eating what I assumed to be lavender when an old man came up and asked Nay, Mika, and I if we were english. Taken aback, and a bit offended at first, assuming that he was being hostile because we were not french speakers and eating random leaves in a public park. Well, it turns out he needed an english teacher for weekly classes. Thats how I got my first private student. I met him for my first class on tuesdays and it turns out he's a french poet who works for the government at some general desk job during the day. Very cool, we just spent an hour talking about whatever, in english. He doesn't so much want a teacher as someone with who to practice conversational english. We sit in cafés, drink coffee (him a strawberry milkshake) and talk. This week, I think I might bring him to the photography museum because its free.

With the money from my first lesson, I bought some art supplies. Mainly paper, a piece of charcoal, and a pencil (well not "mainly," thats it). I've been drawing on free newspapers with the back end of a broken fountain pen dipped in milk caps filled with acrylic inks I brought with me. Well, now that I have paper, I feel like a baller. Funny how shit can switch around so quickly, living in Paris is so expensive, but there are ways to make it work. I spend about 50 dollars a week, thats two overpriced beers from my watering hold (Le Piano Vache), two bottles of the second cheapest wine my corner store will sell me, a pouch of tobacco, and a fridge stocked full of bulk vegetables from the street market. You know, all the necessities. At first, having to budget like I do was totally foreign to me, and made me wish I had saved more money and learned to curb my consumption back in Toronto. Eating sushi here is probably about the same price as buying a week's worth of groceries from the market, to think that I ate sushi almost every other day in Toronto.

Friday night I was invited to the ambassador's home for some swank cocktail party. You know, go and schmooze with people who have too much power, eat their food, and drink their liquor. I didn't do much of the first, but plenty of eating and drinking. I got there a bit late, so I had some catching up to do, I drank tall glasses of dry gin and tonics (2/3 gin to tonic ratio) and was quickly at the level. The food was fantastic, and I got to eat the first sushi since I'd arrived in Paris. Also, the first salmon, the first proschuto, the first gin, the first tonic, the first -- oh whatever, you know, shit thats generally too bloody rich for me these days. The house was ridiculously ornate. Tall ceilings, painted panels, gold gilding, a fully staffed bar, well dressed butlers wandering and attending to you, a coat check guy waiting to take my coat with its holed pockets. My hair, dirty and unkept, was sticking straight up (my friend Mika said it makes me look like Tin Tin, my friend Annie says I look like a mad professor). I feel like I stick out like a sore thumb in my high tops. Well anyways, these old dignitaries retire too early in the evenings, so once we'd left, we ware back to our general budget of two dollars bottles (not that I paid for them, someone else who had left with us didn't seem to mind keeping the party going). We sat in the street and drank them before going to a bar. I didn't really feel like going in anywhere, so i sat in front and chain smoked.

I'm kind of in a drunken stupor at this point, but, the group decides to split up, take two cabs to Pigalle, which is near Montmartre and I know is kind of a rough neighborhood. I guess we're going to someone's house so I don't really think too much of it. Well, I'm in the second cab, which takes me a while to flag down because in france, you can only grab a taxi from a taxi cab stand (you can't just flag one). I eventually catch one that's stopped at a red light and just get in before waving to the others to follow. When we get to Pigalle, we don't really know where we're meeting up with the others, or what's even happening. So we wander down the strip towards the Moulin Rouge. And I see nay, he's horribly drunk and stumbling, which is generally normal, but he looks off.

As we walk, he tells me how stupid he is, etc, and after a bit of piecing him together I gather that he got robbed again. Two guys had cornered him in a bathroom and kind of slapped him a couple times, he was fine, his cheeks weren't even red. He said that he fought back and then they just took off. Well, as I'm trying to put it all together in my head, we were standing in some fast food restaurant waiting for someone we just met to finish using the bathroom, and our friend Corey to show up. Kind of steaming from the ears in rage, Nay gives himself a quick pocket check and realizes that my cellphone is gone (Nay and I share a phone, its my phone, but I've kind of boycotted them since I've arrived here, which is why he always carries it. I'm so tired of the things after living in Toronto. In fact, I haven't called anyone back in Toronto, and generally prefer to use pay phones while I'm here).

Angry, not necessarily that the phone is gone, but that this kind of shit has to happen to Nay. The people that we're with don't realize any of what's going on. So, I grab Nay's arm and decide to forgo the formalities of proper goodbyes with our new friends when neither of us are really in a state of mind for it. I tell nay that we have to backtrack, maybe you left it somewhere, maybe we'll bump into the guys that lifted it from you. I don't know what we were really trying to accomplish. I was pretty sober at this point, but had enough alcohol in me to be narrow sighted. Even though its a relatively rough area, there are still a lot of people, nothing serious could really happen without getting broken up quickly, I think to myself. Nay doesn't remember which fast food joint he was robbed in, so we trace our way back along his path, him checking each one. I walk a bit behind him, and watch everyone watching him. Some tease, some insult, he walks up to a group of them and asks "c'est ou mon mobile?" this guy kind of looks confused, maybe Nay thinks its the same guy, the guy tells him off and nay stumbles into the restaurant to check the bathrooms. I listen in on their conversation from outside, maybe hoping to hear them joke about how they stole a phone from him earlier, something, anything - but no, its nothing.

Maybe if I can see someone mention it, then I can do something; whatever, call the cops, get someone's attention, but otherwise, this is a lost cause. I wrap my hand in the sleeve of my sweater and punch a window in frustration, stupidly, and am thankful that it didn't break. Well after this, this guy just jumped out of a car and started trash talking Nay, I gave him a kind of pissed off look and was asked what his problem was. He ran over and swiped at me and just took off my glasses. I told him to go fuck himself and got ready to get punched or to punch, whatever happens in those stupid moments before a fight. But a friend of his grabbed him and they got back in the car and drove off... It was all so random. No incentive, no nothing, just like that, its over.

Frustrated, furious, and finding things wholly absurd by this point, I can't help but laugh hysterically and figure its about time to call a cab and get home. I bitch to the cab driver on the way. I ramble on in broken french, but when I'm drunk, even if its horrible, I feel like I'm speaking fine. He gets the point and seems as pissed off as I am.

Anyways, thats it, I'd keep catching you up, tell you about saturday. Not much though, hung over a bit, went out with some friends and wandered around the Bastille area trying to find a good bar to dance or even to sit. Today I learned how to prepare sweet potatoes in neat ways, making vegetarian soups and a vegen lentil dahl.

--------------------------
Broadcast - Pendulum
Lali Puna - Nin-Com-Pop
Lali Puna - Left Handed
B. Fleischmann & Ms. John Soda - Here She Comes
Stereolab - Miss Modular
Deerhoof - Scream Team

Thursday, November 22, 2007

Can has

Ok So, I've been writing a lot lately, and I'm sure some of you are bored of me rambling on and on or whatever about whatever. So today is just a gift, a series of playlists for you to listen to, a short animated film, and an audio book of a favorite Borges fable.

Kanojo to kanojo no neko - by - Makoto Shinkai - 1999

I really love this movie. Its short, simple, sweet, but very strong at the same time. Oh, and reminds me of many people back in Toronto

------------------
Who's a punk? Lets Dance! Mp3 playlist:
The Slits - In the Beginning There was Rhythm
Gang of Four - At Home He's a Tourist
The Au Pairs - Love Song
The Slits - Typical Girls
The Au Pairs - We're So Cool
A Certain Ratio - Shack Up
Public Image Limited - Careening
Cabaret Voltaire - Sensoria
Delta 5 - Mind Your Own Business

---
Post-Dance Dream:
Antena - Camino Del Sol
Four Tet - She Moves She
Swod - Tucholskystr34
Polmo Popo - Rottura
Aphex Twin - Avril 14th
Max Richter - Written On Sky
Boards of Canada - Macquarie Ridge
Harold Budd - As Long as I can Hold My Breath

---
Live Green Grass of Tunnels:
Mùm Green Grass of Tunnel (live - Barcelona Acció Musical - 21 September 2002)
Mum - Green Grass of Tunnel(Live at Great American Music Hall)
Mum - Green Grass of Tunnel (Live - don't know from where, but courtesy of Ash)

---
Akira Rabelais is a writer and composer from Los Angeles. He works with noise and ambient soundscapes (well from what I've heard). He collaborated with Harold Budd on the song that I linked above.

Well, maybe 5 years ago I was on his website. I loved hypertext mazes, I'm a gleaner, and its a gleaner's wet dream of a website. Sometimes a bit text heavy, it can strain the eyes if you stay on it too long. Akirarabelais.com is the website.
Well, somewhere when wandering through his hypertext experiment, I found an mp3 link to a man reading a short story. I listened to it totally engrossed at 4 in the morning. Its still stuck in my head, thinking of hypertext mazes, the future of the reader, reader as gleaner, etc, etc, etc, etc, and finding this audio file and listening to it through. The name of the story was "The Library of Babel."

Only years later when I was reading through the collection of Borges' short stories did I realize it was a Borges fable.

I feel like I should let you all wander through Akira Rabelais' website till you find the mp3 file. Don't go with the intention of finding it, it is relatively easy -- go with the intent of getting lost and letting it find you at some stray click on some strange link.

If you're too lazy to go and search it out -- [here-mp3]


-------------------
p.s.
Umm, I wish I was blind and sporty

Wednesday, November 21, 2007

Childhood anecdotes

A friend of mine asked if I could write to her in as much sensory detail some of the happier stories of my childhood. This has proven to be a really difficult task. Its not that I had an unhappy childhood, far from it, of course it had its lows, but I was a happy kid.

As far as writing exercises go, its much harder to capture the exact senses of being a child. I don't know how much I'd be projecting backwards onto my youth. I don't want to make this another rant, three days in a row. But I am really fascinated by Memory, maybe thats another theme. My favorite films all have to do with memory, Vertigo, La Jétée, The White Diamond. Same with books, South of the Border West of the Sun by Murakami (which I talked about a few posts back) is probably the best fiction I've ever that captures the ephemeral silver dust of memory that you can't quite express with pleasant anecdotes.

Anyways.

1) I was in Nova Scotia each summer. I remember having an albino rabbit, red eyes, big, that I loved. I called him Satan, kind of as a joke because of his red eyes, kind of a way of describing his uncontrollable way of being that made him different from the other rabbits. He was a wild Rabbit that I had trapped when I was learning how to make traps from nothing in order to catch food. I let him go, and he stayed with us, living underneath the house that I was staying at. I would see him running along the paths and hiding in the bushes. And sometimes he would sit around us while we worked outside. Even though he was wild, I always considered him my rabbit. The people that owned the house knew that I had some connection with this rabbit and told me that before I left back for Toronto at the end of the summer that I should catch him and keep him with the other rabbits that were relatively domesticated. They didn't do this because of some cruel need to domesticate animals, far from it, they knew that a big white rabbit sticks out like a sore thumb running through the fields in northern Cape Breton Island. Well, I told them that I'd rather not. The next year, when I was riding the train back to Nova Scotia, I lay up late at night thinking of the rabbit and wondering if he had survived the winter. Sure enough, 4 days later when I arrived, he was still there, the owners of the house had left out food for him, and he had lived under the house and in the area. He also had a number of children.

2) Each summer, my parents would take us out to see the Symphony of Fire from our boat. We would sail there, black clad ditto, out of Outer Harbour Marina near the Leslie Spit. I remember the cold winds, and I remember wearing my father's enormous jacket to keep the moist wind out. Once we'd get there, we'd anchor up among all the other boats. My brother and I played cards, 3-2-1, or the Chinese name, cho-die-di, chinese two man poker. As it got darker, they would shoot off a firework or two to signal how long until it began. During the performance, you could hear the classical music, to which they choreographed the fireworks performance, blasting from Ontario place. We would simultaneously be listening to it on the radio, well it would be better to say that it was never simultaneous. I remember being so fascinated by how sound traveled. Maybe for the first time it was so apparent to me. You could tell the distance between us and the shore by how long it took for the sound to catch up with the sound of the radio. Or each time a firework went off, the gap between when the firework exploded, dazzlingly bright, and the time its loud bang made it to you me almost able to feel the speed of sound. The largest fireworks near the end of the performance always highlighted this phenomena, a single huge firework sent as high as possible into the sky, always made the loudest bang and took the longest to reach my ears. After the the show, we'd sit and wait a while for the waters to clear up and make it easier to work our way home. The clouds of sulfur would waft towards us, blue and strong, it would pique my nose and make my eyes water. In the floodlights of the boats around us, blue triangles of smoke would extend off of each beam. In the illuminated smoke, you could see bits of fireworks and ash falling like black snow into the blacker water. After it cleared out a bit, my parents would start up the engine and motor home instead of sailing. My brother and I would sit on the front of the boat, wrapped in old sleeping bags as we cruised home around the island. We'd play cat's cradle since the wind from a moving boat made it impossible to play cards.

After writing it, I really liked this exercise, I guess, if you enjoyed reading this I could try another.

After reading my blog, I feel like all my writing is too self-centered. Even my fiction, if anyone knows me, is egocentric. I rarely write about other people, just myself. Sometimes I feel like you, reader, are my Herr Doctor, and i'm lying on my back rambling on about myself.

-
P.s. There are a couple albums I've really been missing from my record collection that I had backed up onto my external hard drive that burnt out. If anyone has these albums can you megaupload/rapidshare/ftp them to me?

Au Pairs - Sense and Sensuality
Maximum Joy - Anthology (released by crippled dick hot wax)
Antena - anthology released by Numero
Bossa Nova, any/all of it.

--------------------
Oh, sister, when I come to knock on your door,
Don't turn away, you'll create sorrow.
Time is an ocean but it ends at the shore
You may not see me tomorrow.

--
Cat Power - Oh, Sister / Knockin' On Heavens Door (Bob Dylan covers)
--------------------
The Album Leaf - Brennivin
Air - Cherry Blossom Girl
Yeah Yeah Yeahs - Hyperballand (Bjork Cover) Lyrics (if you want to sing along and don't already know them by heart)

Tuesday, November 20, 2007

Rant/Monologue - Me and my Themes

There are a few themes that turn up in my writings year in year out. I'm sure there are plenty that I'm not aware of, but a few are mythologies that are so built into whatever expression that I have that I can't expect to make something that isn't somehow influenced by these themes. Maybe its that I project it onto whatever it is that I do, either way - who cares, chicken or the egg. Forgive me if you find that I'm making totally over assuming statements about myself, I don't presume to know who I am fully, but I've got a decent perspective and I did enough hallucinogenics when I was younger to feel like I managed to get a decent third person perspective on myself.

The first is split and divided parts. Whenever I'm caught recycling this theme in my diatribes, I used the clichéd excuse that I'm a half-breed. An easy joke to a Canadian and an easy way to change a conversation from getting serious into a simple laugh. More appropriately though, I'd say a sum of halves. Half Canadian, half American, half critic, half creator, half cynic, half optimist, half lover, half loner, half good, half bad, you get the idea. All my philosopher friends who read this will probably cringe at the dyads, binary pairs, but, to them, I'd like to say that thats probably the reason we ended up becoming friends along the line of philosophy. At one point I got into de Saussure, Foucault, Levi-Strauss, whatever, because I had these ideas and eventually found people discussing them in a specific school of structural philosophy (and to all my friends that cringe, post-structural). But even before I got into philosophy it was a theme. Before philosophy I dabbled with religion, I wonder how many of my friends realized that my second choice after Ryerson was Theology at UofT. I would read Taoist writings obsessed with the Yin and the Yang, I don't remember how old I was, maybe 16. On some sublime moment in the mountains of Colorado well before I had persued any of these notions of duality with an academic perspective, I believed that my personal philosophy was "walking the fine line between yin and yang." Its what I would call it. In moments of self depreciation, I call it hypocrisy, I call it a lack of conviction, I call it two faced, or something, anything, because I feel guilty for making euphemisms for my shortcomings. Its always been an issue, I'm always one foot in, one foot out, never a specialist.
For a while I was obsessed with the modern mythology of the "Jack of All Trades," maybe I was that, never a specialist, but always handy. But then plighted by the second half of that mythology "... master of none." So, to keep from feeling guilty about being so fickle about the trades that I would pick up, I would be determined the master each of them. Really and truly a neurotic's obsession. Even more neurotically, I feel half guilty half proud about being good at things.
There was a medical case that has stuck with me since I first read it. One case of multiple personality disorder, where the patient refused to be electro-shocked into being a contributing member of society, free of their disfunction. She would refuse any treatment and repeat to herself, "Je switche, je suis, je switche, je suis, je switche, je suis." I switch therefore I am.
I don't know if I'm "right" or "wrong" for who I am, maybe thats another pairing of dualities thats working its way into my train of thought. Maybe I'm both. Maybe this is a faceless confessional with no minister giving me any number of Hail Mary's in order to be cured.

The other is the idea of the somnambulist - walking dreamer or sleep walker. In the states, I righteously thought that the people were all walking sleepers. Unconsciously digging their own graves, living each day like a zombie. Some Romero fantasy of America. In a Hitchcock film,Shadow of a Doubt, Joseph Cotton plays uncle Charlie, a psychopath with a similar criticism. In one scene we are brought into the darker underside of Hitchcock's only film dealing with Idyllic suburban life. In this smoke heavy bar scene, surrounded with the till now unseen derelicts of this town, Uncle Charlie delivers this horribly morbid and dark monologue of America, "...You live in a dream, you're a sleepwalker. Blind. How do you know what the world is like?”
Jaded is one way to put it. In all honesty, I probably would have suicided if I'd stayed in Colorado. To fit in, I'd kill myself with drugs, let them see the one sided coin of a junkie. One face, one performance. I don't regret these years fucked up, and I will love all my friends from Colorado till the end of time, but I couldn't be there. Recently, I'm coming to terms with sleepwalkers/walking dreamers. Somnambulism. One word fits it all perfectly. Its ambiguity fits into my first theme. One criticism of America that I would have is of how people dreamed. They would dream but would never pursue it. Its a world of sleepwalkers filled with dreams, but too defeated or stifled to believe in them as more than dreams or dreams that were little more than sleeping. Sleepwalkers means the opposite to a walking dreamer, but they are so similar that makes them hard to distinguish. So hard that even that I don't think its fair to break them into an oppositional pairing, who can judge -- I did, and righteously too. When I was young (not to say that I'm not young still) I chose to leave the United States to save myself, but it was a decision that was so self centered, selfish, solipsistic, etc, and I still feel guilty for being so bold to judge others, others that i'd come to love and respect. I hope that this time, I've left more maturely, not to get away from sleepers, but to chase my own dreams.

A series of analogies that have stuck with me, pieces of analogies that stick to my consciousness trapped into this obsessive theme.

Rousseau was once asked why he painted a couch in the middle of a jungle, he replied by saying, "We have a right to paint our dream."
A French postman spent over thirty years building a miniature castle with stones that he carried in his pocket during his mail delivery. When he was questioned about this project he answered: "When a man has to travel for thirty years along the same road, there is no way for him to be saved from the monotony except by the creation of something he dreamed."

"The dream was always running ahead of one; To catch up, to live for a moment in unison with it, that was the miracle." - Anais Nïn

I think i'll end it there for today, I'm out of steam.

--------------------
Mp3:
Avrocar - themes these three (tele:funken remix)

Monday, November 19, 2007

Dreams Part 2


Unknown - Will update when I have the proper information
So this dream with still images is still fresh in my mind. I can only really remember two pieces vividly, the rest I only remember the aesthetic. Of these pieces, I've just spent the last bit trying to replicate one of them, without the proper tools and without the proper medium. Nonetheless, in replicating the aesthetic of my dreams, I got somewhat close to what I wanted to accomplish. I used acrylic ink instead of brown charcoal and a small piece of thicker black paper instead of a huge piece of beige primed cardboard. When it was finished, its not quite the same, but because I know what it was, looking at it in this smaller format makes me remember what it is that I need to one day make.

I've gotten inspiration from my dreams before, generally to write, to try and translate the surreality of whatever. Its a time old writing exercise to get you to write something from experience that isn't a banal description or fictitious. But I've never actually had a dream anything like my dream of still images. I've always had wild dreams, things that I can't quite put into words, but this dream was so simple, so matter of fact, that I don't even know if I should be interpreting it as I normally would when I get a dream thats out of the norm.

Once I drew what it was that I saw, I realized instantly that it was the style of my dreams. I know, that sounds stupid, but you realize that I've always had an issue with my drawing style. I always think its too controlled, too sharp... too something, something I couldn't quite explain, but didn't really like. When I started making it, and realized that my regular way of making lines would never ever come close to replicating what it was that I wanted to do. The look wouldn't work, so i flipped my fountain pen around and drew with the back of it. The bleeding ink, losing total control of my line, was what I needed to break the habit of how i draw, and let me draw what it was that I saw last night.

Today is a weird juncture friends. I feel winter coming, and don't know whether I should dive into introspection as I always do in the winter. Cabin fever. I always come out shining in the spring, new lessons etc, but I have no distractions from cabin fever this year if I do choose to pursue it. I don't have deadlines, too much work, etc... to keep me from losing myself in it. Maybe its a good thing that I don't have something to catch me if I decide to take the dive. Maybe thats the reason I've always been part of the "jack of all trades, master of none" mythology that I hate so much, I do it all without fully diving.

---------------
Mp3s:
Rotary Connection - Memory-Mand
Fridge - cut up piano and xylophone
Do Make Say Think - chinatown
Buffy Sainte-Marie- Codeine
Gram Parsons - Codeine
Blonde Redhead - Elephant Woman
Chet Baker - My Funny Valentine

Dreams nov19

I just had a series of weird dreams.

I'm just going to quickly write out three that I thought were really interesting, then come back and try and fill in the rest later when I get home.

One dream was entirely still images, and I had a dialogue with myself as I looked at them. Occasionally I would see one, then make it, my hands disembodied. The art was generally in my style, that is if I had ever perfected my own style instead of only dabbling. A mixture of collage and oil paints on a few, but mostly color sticks and charcoal.

Another dream was this. I was sailing still, but didn't have the means to sail, no boat, or maybe it was no water. So instead, I woke up early and went to racing theory class...

That one is a bit self evident.

A third one is a bit sketchy and I don't remember all the details. I do know that it is a dream that I've been in before.

Well, not necessarily a dream, but a place in my dreams where I've been before. I don't know how I got there last time, but this time I had managed to get on the internet through being crafty, so then in azureus, i went to go check my peers, and the lines were everywhere. Spiraling between peers, nodes, trackers, multicoloured, but with patterns. It kind of then became three dimensional, and as I rotated it on my screen I discovered that it was a tempest, then I kind of fell into it. Maybe not so much fell into it, but discovered myself standing on a giant platform. The same one I had been on the last time i had dreamed of this place. I was standing on an infinitely high A frame structure, with purple clouds and a tempest all around me, below was much darker. I would jump off, and either spread my wings or pull a shute at some point as I was falling, trying to avoid the bars of the A frame, and I would rise up like a bird in sheer joy. Before landing on the platform again. I landed back on the platform and my roommate nay was there. I told him how great it was to jump off, so we did, but he couldn't get back up, so i dived down to him and opened an umbrella, but it wasn't enough, and we were slowly sinking. At this moment, Nay said, "oh whatever, its almost 9AM when you're supposed to wake up anyways." So I closed my eyes, opened them, and I was awake, except it wasn't 9 am yet, it was closer 8:20.

anyways, i'm in a rush, i'm sure you can tell by how i write.

Sunday, November 18, 2007

Translation



Last night, I watched a movie by Zizek called a The Pervert's Guide to Cinema, and of course I don't agree with him all the time, but the way that he reads things fascinates me to no end. He draws the wildest conclusions, makes such far fetched claims, and stretches things beyond their limits to prove his points. Maybe what I like most about him is exactly this. Critics see it as his weakness, that he wastes too much space by stretching things too far to draw what become fragile conclusions. This, to me, is when his theories are most attractive, the way that he can reinterpret films so wildly and unconventionally.

He sees something something as more than it is. Why should this be his weak point?

It got me to thinking about reading. How people read things.
Or maybe more specifically, translation, how people translate objects into their own language. Zizek translates films into his language, thats his art. I've always been very fond of covers, my favorite covers are ones like Siouxie and the Banshee's Dear Prudence, originally by the Beatles. My all time favorite cover by the Beatles is Norwegian Wood by Murakami. Murakami is possibly my favorite cover artist, for this book and South of the Border, West of the Sun. There is something special that he does in these two novels that will have me rereading them for the rest of my life most likely. In these two novels, like Siouxie Sue, he brings a melancholia, a noir, to the world of the 60s and 70s that is a perfect balance between intensity and serenity.

In some essay I read somewhere by Lyotard, I remember him writing about translations and readings. Writing is reading. We read as we write, and translate into words our thoughts each time we write. It goes on more, but its been so long since I've read it, and don't quite remember all of it. But this thought stuck with me. Of course I read it in english, translated.

People who have an interesting way of reading things fascinate me too. My friend Enrique has a view of pop culture that is totally not ironic. I think his sincerity for popular music and culture, while at the same time being very well educated, is something so refreshing. My friend Steve in Toronto has an interesting taste, but the lens that he reads everything makes them that much richer, possibly the exact opposite from Enrique, things aren't quite as much ironic as much as they are absurd. Even if I'd already read a book, after talking to Steve about it, I'd reread or remember certain parts and see authors through his lens and appreciate them for wholly different reasons. Steve is also a fucking great writer, his writing is his lens, the way he sees things, the way he reads things. He writes how he translates the world. It works.

I don't know where this is going...

Anyways.

-----------------
Mp3s:
Nouvelle Vague - Making Plans for Nigel

Joy Division's Love Will Tear us Apart has its own mythology, and everyone see's it differently, I couldn't think of a song with more covers.
Joy Division - Love Will Tear Us Apart
Calexico - Love Will Tear Us Apart
New Order - Love Will Tear Us Apart (Live at Tower Ballroom in Birmingham, May 9th, 1983)
Nouvelle Vague - Love Will Tear Us Apart

Saturday, November 17, 2007

Textures - Paintings by Gerhard Richter


Gerhard Richter
S. Mit Kind, 1995, 52x62 cm

Textiles, patterns, old print, the way the ink bleeds on old paper, fonts, paper textures, weaves, wallpapers... I could spend an eternity looking at them, touching them, thinking about them. Maybe I'm perpetually like Huxley on mescaline in The Doors of Perception, helplessly attracted to the weaving of clothes and the shadow play in the fabrics. Egon Schiele's watercolours and chalk on cardboard, his characters, and his use of paint are all almost like textures to me. His whole work shouts out and its no wonder his works are among my favorite and most personal. I find Gerhard Richter's paintings are the epitome of this sensation.


Gerhard Richter - 1 part of a triptych
Gegenuberstellung, 1988, 112X102 cm

Gerhard Richter
(couldn't find name, if you know the name, write it in the comments and I'll update it it)

Gerdhard Richter, Frau mit Kind

Paris is fantastic for textures. I find myself running my fingers along walls, taking a moment to feel the cold touch of a railing as I walk down stairs, the steel underneath a poor coat of chipping paint. The smooth marble of old architecture, always eleven degrees cooler than the air. Listening to the white noise of too many  french speakers speaking at once on a metro, too many to isolate just one conversation.

Music is the same way sometimes. As much as I love rock, or I like punk, or I like lyrics. I've always liked the fabric of the music, the texture, most. Ian Curtis' slow syncopated vocals over droning guitars with too much reverb. Dubstep's rolling and chunky bass-lines separated by the occasional snare. Dub and its counter culture of Jamaica seen through the lens of echo chambers full of delay and reverb. Satie's impressionistic pianos. Debussy's interpretations of how churches vibrated sound. Burial's post-deluvian two step. All of this music is something where the aesthetic, its texture, is the foreground of the piece for me.

-------------------------
Squarepusher - Iambic 5 Poetry
Squarepusher - Iambic 9 Poetry
World's End Girlfriend - 100 Years Of Choke
Arve Henriksen - Glacier Descent
Debussy - Claire De Lune
Debussy - Nuages
Max Richter - On the Nature of Daylight
There was a specific swod song that I was looking for, it sounds as if you were watching an old dirty black and white 8mm of a music box turning, its from the album Gehen, if someone has this song, can you send it to me?
Swod - Deer
Swod - Paintage
Swod - Montauk
Deadbeat - Melbourne Round Midnight
Burial - Archangel

Friday, November 16, 2007

Jackie II



Andy Warhol
from 11 Pop Artists, volume II. (1966). Screenprint, composition and sheet: 24 x 29 15/16″ (60.9 x 76.1 cm)

Thursday, November 15, 2007

Strike!


So, I don't work today and feel a bit guilty. A student approached me in the hall on monday and asked me if I was going to be teaching her class this week since it was her last week in my class. I told her I would try, but because of the strike its very difficult (if not impossible) for me to commute to the suburbs.


The students are protesting the privatization of the universities. So when you walk past, all the lights are off.



All the newspapers are discussing the possibilities of giving this much "power to the people." Strikes are nothing new to Paris. Every time there's a new legislature, its admittance is generally decided in the streets.



My reason for going back to school was through wanting to pursue anarchy intellectually rather than with tattoos and acid washed jean jackets. It started with reading Guy Debord and realizing that anarchy in the UK didn't start with punk rock.

It didn't start with The Situationists either. But they were always the ones I empathized with. Détournement, the Dérivé, politicization of art, graffiti, a society of producer producer poetics.



Eventually, I get into Marx, and not in the typical way, enamoured with Lukacs, Hegelian dialectics. I go from misdirected youth into history and philosophy.
Despite all this, I was horribly disillusioned being in school. I was never good at school, ever. They just kept pushing me through the grades, hoping that it wasn't because I wasn't smart, but because I wasn't challenged.

Nonetheless, University was challenging, but when I didn't care, I didn't care. My grades hurt in my first year. It was around this time that I would sympathize more and more with the Situationist's stance against the academic institution. Then I approached an assistant prof who was very cool, teaching for a teacher who is now a friend of mine, and told her my dilemma. I wanted to learn, I had passion to do this, but when I was doing something I wasn't passionate about I would get horrible grades because I put next to no effort into it. As with high-school.



She told me to write what I'm passionate about. Fuck the curriculum, read on your own. Write on your own, work it into everything you do. If you have a passion, use it as a lens to approach even the most banal. If you don't agree, then don't do it, but criticize it, but do it well.

After this I got almost straight A's through university.



But what now?


Roughly "he's the shithole". The word "chienlit," in French, is used by those in power to describe disorder in the same way that "anarchy" is bandied about in the states. ("If we don't do something, there'll be anarchy in the streets"). The word derives from "chier en lit" -- To shit in bed. A fine mess indeed.

---------------------------
Mp3s à la No Wave:
Glenn Branca
Statics and Theoretical Girls
Glenn Branca - Glazened Idols
Glenn Branca - You
Solo
Glenn Branca - Lesson No.1 (edit)
Glenn Branca - Lesson No.2

James Chance
James Chance - Contort Yourself
James Chance - The Twitch

Rhys Chatham
Rhys Chatham - Drastic Classicism

Liquid Liquid
Liquid Liquid - Cavern
Lecture Series on Liquid Liquid by Sal Principato

---
many mp3 link compliments of: www17seconds
images are all from posters during the may 68 riots - nothingness.org

Wednesday, November 14, 2007

Wednesday Morning

Some photos of Monday night at The Piano Vache:





Well, I've just woken up, I'm in a cafe getting my morning dosage of caffeine. Today's my day off, tomorrow will most likely be an forced day off. So will Friday... That means my work this week has consisted of monday, and another week of vacation. Strikes. La Grève. The University is shut down. All metro rails are down. The city stops, museums close, school is closed, office buildings shut down. If your job does actually continue, you have two excuses to not show up: 1, there's no possible way for me to commute there with no public services available. 2, "I'm standing in solidarity," the cause doesn't really matter. Sounds serious huh? well, no, this is the second time this has happened to me in my one month of teaching. One friend of mine is worried she wont get university credits for studying at the sorbonne because she's had a total of two weeks of class since she's been here.

I'd say the spirit of May 68 lives on, but no, thats not quite it. Maybe we'll see in May when we can celebrate 40 years of rebellion and strikes what happens.

I feel like France is a country where politics takes place in the streets. Still, revolt is almost institutionalized, everyone kind of expects them, and everyone protests in a well structed fashion. People don't seem that enraged, but they respect that is just the way that things work in paris, and you might as well enjoy the free time.

Today is mostly a musical documentary of my day, I figure its better than sharing my grocery list.
-------------------------
Feature: Shocking Blue


I don't know why, but sometimes I wake up with Shocking Blue in my head. Normally its their hit song "Venus" that rose to the chop of the U.S. charts in 1969. They are a dutch psychedelic band that has heavy riffs, catchy organs, and a strong drums backup. Not to mention the energetic voice of Mariska Veres (who is just too foxy).


Shocking Blue - Love Buzz
Shocking Blue - Send me a postcard
--------------------------
Early morning mp3s:
Pauline Croze - T'es Beau
Joanna Newsom - Bridges and Balloons
Julie Holland - Stubborn Beast
Blonde Redhead - 23
--------------------------
Really early morning mp3 (for when you're eyes are still stuck together and you're a bit delusional):
Gilberto Gil - Objecto Semi-Identificado
Boards of Canada - roygbiv
--------------------------
For once you're awake and want to run into the city and see galleries and museums:
Ella Fitzgerald - I Love Paris (Cole Porter)
T Rex - Cosmic Dancer
Jonathan Richman - Ice Cream Man
Al Green - Love and Happiness

Tuesday, November 13, 2007

Tuesday Tidbits

I watched a film the other night, Basquiat (1996) by Julian Schnabel. Its not a great film, but I really loved watching it. The cast is basically a line up of all my favorite celebrity personalities doing a series of cameos in a film embodying my favorite scene of the late 70s and 80s.

Ok, ok... here's a tidbit of the lineup.
Michael Wincott - Rene Richard
Benecio Del Toro - Benny Dalmau
David Bowie - Andy Warhol
Denis Hopper - Bruno Bischofberger
Gary Oldman - Albert Milo
Christerpher Walken - The Interviewer...

yeah... well despite all that, the film isn't that great, I don't know why its not, maybe its just how i feel about dramatizations of biographies. If you want the whole experience, it goes really well beside Downtown 81, aka New York Beat Movie, a documentary on the same topic.

After watching this film, I put on Charlie Chaplin's City Lights (1931)and fell asleep. This is perfect cinema. It is so nice to drift off into slumber while watching or listening to it.

-----------------------------
I'm not at home, so i don't have my own computer to write this blog entry on, or the means to upload songs for today's entry.
Instead I'm going to put up a bit of interesting tidbits that can be found across the web:

WARHOL's CINEMA - A Mirror for the Sixties (1989)
64 min documentary on Andy Warhol's cinema of the sixties, made for Channel 4 in association with THE FACTORY, MOMA and the Whitney Museum of Art and in collaboration with Simon Field. Directed & Produced Keith Griffiths.

Recorded from a VHS video tape recording from the Channel 4 documentary.
-Compliments of Ubu


Diane Cluck

My friend Tina introduced me to this video, she was over and we were just talking about anti-folk. This song still pops up in my mind sometimes. I think my favorite part of this song is the way her eyes tremble with emotion or fixate with a ferocity when she sings.

White Diamond - Werner Herzog (2004)

This is probably my favorite documentary right now. There are so many scenes or moments that Herzog puts into this film that at first either makes you laugh or wonder why he would leave this in the film. The more you rewatch it, the more it makes every little bit count, and even by the end of the film it all come back full circle to make perfect sense. I think this is his masterpiece.
-------------------
Some mp3s, not from my server though.
Kiln - Bluerain
Dino Saluzzi - Imagines...

Monday, November 12, 2007

Fathers



A friend of mine is having problems at home. Generally, I'm pretty good about putting things into perspective for people. But in her case I didn't really know what to say. Her father is giving her troubles, they're in the same vocation, and his legacy in his trade is being caught up to by his daughter. Maybe he feels emasculated. Maybe he's realizing that he won't be her father in the traditional sens.
These issues are typical for boys. All men live in their father's shadows. Sometimes they feel like they are entitled to have their children live in their shadows with such grandiose maxims as "well son, I gave you my name, what else do you expect from me?"
How more patronizing, infantalizing, and divorced from your offspring can you get. Doesn't mean there isn't truth to it.
Our family names generally precede us.

Am I digressing? I thought I had a point...

oh yeah,

The name they give you, is something that they have spent literally a lifetime building. And, with children, they pass it on to them. They then live their name through their progeny. Vicariously projecting their success into their youth. Though at the same time coming to the realization that their family name was in the family before them. They are just another first name in a long chain of existence.

You push your children to succeed, but impotently try to keep them from ever replacing you as the ambassdor of family tradition.

I've been lucky, I'm the younger of two brothers, I'm free to watch from a distance. Even so, my brother is lucky enough to be the son of my father -- Just writing that, I wanted to erase it once i'd finished writing it because I realized that him and I are a part of the same cycle as well. Oh well...

Anyways, too many tangents, too many random side tracked thought processes. Totally dislocated from the original dilemma.

To tie it back in:
Fathers, let your children grow in their own way. Its hard enough that they grow in your shadow, but when they grow in to themselves and begin to carry your name as their own, consider the torch passed on. Step down silently without a fight, if its not today, its tomorrow, youth will always surpass age, maybe not in experience, but as those that define a generation. Let them shine, it doesn't mean that you won't keep shining into old age.

----------------------
Mp3 Post- Expect more Mp3s Tonight or Tomorrow, my internet at home broke. Again.

Willoughby - intentions

Saturday, November 10, 2007

Babies

So kill me, I missed a day blogging.

Anyways, I was on a good streak there for a bit blogging everyday. I'm going to try to keep it up, its rewarding to know that I'm writing each day.

Anyways, here's a brief lineup of all the usual suspects. We call ourselves the Baby Gang, it sounds tough. Part of the initiation for new members requires that you drink a 40oz (pronounced fo' tea) of breast milk, or that you hold up a group of tourists with a rattle.

Enrique

Enrique is the man (his gang name is Man Baby). He dances like a villain, which is means well. Has impeccable style, and speaks 5 languages including Tagalog. He has a way of wearing a fedora that can't be questioned, and has a thing for expensive scarves.

Mika

Mika is our darling swedish friend. She is also always impeccably well dressed, which is always so beautifully complimented by her most endearing smile. She makes you want to watch films like En Karlekshistoria (aka A Swedish Love Story) and move to Gutenberg.

Annie

Is what we call the Babe of Babies. She's very petite, and likes toques, and she buys them in bulk. In the early evenings, she feeds me like a bird, balancing stuffed olives on teaspoons. Later in the evenings, we skip places and drink copious amounts of wine (well at least I do).



My roomate. If you read my blog, you probably know him too. He does my dishes in exchange for dinner. Works for me. His gang name is "The Big Baby," because he can be.

Natalie

This chick is Hiphy. She hails from the Bay Area, and if she had a velib, she'd be ghost riding it.

Corey

This is Corey, he lives with Enrique. He's good with philosophy, like clone high, and brought three boxes of his mother favorite brand of pre-packaged matzah balls to Paris for cold winter nights. They're delicious, but if anyone asks, its "his mother's recipe," and not from a box.

Me
Yeah, thats me.

-------------------------------
Mp3s - No Genre:
Destroyer - From Oakland to Warsaw
Gultskra Artikler - Votpsuk
Beirut - Buyamas Sonora
Aretha Franklin - The Happy Blues (Let Me In Your Life Outtake)
Cerrone - Supernature
Animal Collective - Grass

Thursday, November 8, 2007

Authentically Parisien

Each evening I sit here making this blog, only these last couple of days I've had to do it from a café. It costs me 2euros to sit here and mooch their internet (the cost of a coffee), but its also a bit nicer atmosphere than slouched in my room at my desk. Its more genuine, or something... There are a lot of moments where I feel "authentically french," or I see something and I think to myself, "wow, thats authentically french." I'm not quite sure I know what that means. In Canada, authentically Canadian can sometimes be a slander, even more so referring to americans. Is it a tourist's sense of freedom in a stranger's land that to be "authentically" regional is somehow romantic? Maybe france is just different too, it has a bit of charm that even the french can't ignore. Playing a game with my students today, two truths one lie (where you write two truths on the board and one lie, duh, then they guess which one is the lie, the winner gets to go up... simple, but it gets them using english, and it also uses up time), one student's truth was "France is magical," and the other students teased him about how obvious that was. Maybe I'm just disaffected by Canada. That said, I love it there, and I have only good things to say about Canada. So maybe its something else, maybe its that I've never really been connected with where I was, a first generation diasporic hybrid, I was an exile at birth. Also, that being said, I've also felt at home almost everywhere I've been(half the time).

What does authentically french mean though? Does it mean everything that has become a caricature in north american mythology. I'd hope to think it wasn't, there really is something special about France. Maybe its all the clichés of love, sometimes there are loves that clichés are made of, maybe Paris isn't cliché, but so grand that it is the stuff clichés are made of.

Two themes I can't get over - cliché and authenticity.
The two seem to come up in everything I write. Some day, i'd like to discover the essence of these two words, but I imagine it'll take a lifetime before I can distinguish the two.

Anyways, enough rambling, enough sentences ending with a rhetorical question mark. Here, have some authentically American music.

--------------------------------
Wait, one more thing. If you'd gathered from reading my blog that I'm relearning how to cook. I would love any readers who read this subtext to leave a comment with any good suggestions, secret techniques, favorite recipes... etc.

edit:

My ex-roomate/neighbor-combo Caleb (who coincidentally rules the kitchen), has started up a blog to share his secret techniques and recipes. Check it here!

--------------------------------
Cliff Gober - A Poor Wayfaring Stranger
Burial - Wayfaring Stranger
Etta James - You Got It
Four Mints - Too Far Gone
John Coltrane - After the Rain
The Hollies - Elevated Observations?
Bo Diddley - You Can't Judge A Book By The Cover
Chuck Berry - Havana Moon