Wednesday, October 31, 2007

Too fast to love, too young to die -- mp3 update.

I'm just getting home from the Maison Europeenne de la Photographie which was spectacular. Its free wednesday nights (so is the Louvre) so I took the opportunity to go check it out. I saw one gallery on the first floor briefly that wasn't that impressive. But the second floor was entirely dedicated to Martine Barrat, who, I am now totally mesmerized by. The works were so perfect its hard to put into words. The energy and emotion in her photography was truly breathtaking. There was no moral slant, no pretensions, nothing, the photos spoke for themselves.

Peaceful Serenity - © Martine Barrat
Harlem, New York, 1985


Sunday Morning - © Martine Barrat
Harlem, New York, 1984


Papo Angel Morales attend dʼentrer sur le ring - © Martine Barrat
Gleason Gym, New York, 1981


Holy Man - © Martine Barrat
Harlem, New York, 1993


These little web images doesn't do her work justice.

This was the only floor I really saw at the gallery. There was a Larry Clark exhibition on the floor above but I was only there a few minutes then the gallery closed. I think its for the best, one artist at a time.
--------------
News: A dear friend of mine Kate is having her first photography show in Toronto starting this weekend.
Time and PlaceDate: Saturday, November 3, 2007
Time: 7:30pm - 10:30pm
Location: Le Bar à Soupe
Street: 164 Ossington ave. (just south of dundas)

--------------
MP3s.
Madeleine Chartrand - Ani Kuni
Modeselektor - Weed Wid Di Makka
1L - Wanna be Startin' Something
-- MP3 Update:
Django Reinhardt - Montmartre
Deceptikon - Unified
Can - Spoon (Sonic Youth Mix)
Digital Mystikz - Thief in Da Night
The Specials - Too Much Too Young (live)
ESG - Dance

Tuesday, October 30, 2007

Bonjour Tristesse

I found a beautiful edition of Bonjour Tristesse, I'm not sure if its a first edition, but its old, printed in 54 (which i think is a first ed).
Its beautiful.

I've been looking for it since I got here, digging through used stores with meager hopes of ever finding it. Lo and behold, i find this beautiful copy, old and fragile, the pages hand cut, the first pages not even cut at all.

And its beautiful to read.

François Sagan is beautiful.


So cynical at the age of 18. Her writing so clear, cutting, and sentimental at once. The woman who sold it to mean found a great pleasure in my enthusiasm, she loves the book as well, and it touched her to find someone else who would enjoy it so fully.

----------------------------
Music:
Miles Davis - Feio
Miles Davis and John Coltrane - 'round midnight
Miles Davis and Charlie Parker - Parker's Mood
Pizzicato Five - Ma Vie, L'été de la vie
Battles - Tonto (Four Tet Remix)

Tuesday, October 23, 2007

When in France, Tektonic to Yelle

Autumn aka Indian Summer.

Its finally starting to feel like the seasons have shifted, of course I'd made the connection that the season was changing before now, but not until today when I opened my window did everything seem so crisp. I need a coffee, thats it, thats all I know. I might actually do something about it if I wasn't so apathetic. Sometimes its nice to be lazy right? Rediculous, right? Especially in Paris. I always regret not seizing the day, running into the sun, wandering helplessly, whatever it is that I feel I should be doing. If I actually do get up early and find myself somewhere in the world outside my apartment, I always appreciate it and remind myself, "see this is why Paris is beautiful."

I missed work on friday, woke up at 5:30, was out of the house by 5:40, but because of the strike, I ended up waiting at my train station till 7:30. Awake, at 7:15 in the morning I had this realization that, it was 7:15 in the morning, and I was downtown in Paris... I spent the next 2 hours in a catatonic state listening to the new Pinch album somewhere along the seine. I watched the sun rise down the river, it's rays bounce off the water, through bridges, between buildings. Somewhere in my haze of sleep depravity and rolling sub-bass ambient flooding through my sound canceling ear buts, the words "wake up paris, i'm watching" repeated. Like I was expecting the city to blossom, unfold to me in a new way, take a new shape.
I don't know what I was waiting for, and I don't know if it ever came to me, waiting for that moment of sublime.

But, at that moment I was a bit closer to the city. I'd seen it go to bed, but this was the first time that I'd stopped to watch it wake up and not been just another busy body commuting.

---------------------
Nick Drake - a place to be
Que Será Será - Alfred Hitchcock?
Lola Flores - Maria De La O!
Regina Spektor - On the Radio
The Knife - Pass This On
Messer Chups - Vamp Finish
Ron Sexsmith - Secret Heart
Secret Heart
Why so mysterious?
Why so sacred, why so serious?
Maybe you’re just acting tough
Maybe you’re just not man enough
What’s wrong?
Let her in on your secret, heart

~ Ron Sexsmith / Secret Heart ~

Goodbye Oink.

http://news.bbc.co.uk/2/hi/uk_news/england/tees/7057812.stm

update:
In oink's wake, theres a scramble to see who will be the "Next oink"
please post comments on your suggestions:
some-
What.cd

To Hold You Off.

Well, sorry i'm not blogging right now, I have to run off to the préfecture to do some paper work. I'm expecting to get rejected, i know i don't have all the proper documents.

But till i get back, here are some songs to keep you satisfied:

Pinch - Angels in the rain
Stereo Totale - Baby Revolution the baby gang anthem.
Grizzly Bear - Knife (CSS remix)
Siouxie and the Banshees - Happy House

Tuesday, October 16, 2007

A bit absent, sorry!

Well, I haven't updated my blog in a little bit, I'm sorry to my two or three readers.

I'm finally broke.

I don't really know what to write about concerning being broke. Thats it, its no longer me yearning to have disposable income line I did in Toronto, its not about pinching pennies, there are none to pinch. Its nice. I'll make do. I always do.

My school is well located, its surrounded by farmlands. Between teaching I use the time I have waiting to give my next lesson to wander off aimlessly. Something pretty I wrote after my first venture into the fields:

Open fields, I step carefully to keep from crushing snails that line the pathway. Patches of cabbage, between rows of green and black squashes. A wall of dried corn, crisp light brown husks hide bright yellow cobs. A ways behind me, a man walks an excited doberman. I make sure to keep the same pace, to keep the same distance. As nice as it is to meet someone sharing this experience, I don't have the heart to break the silence.

I have to take more pictures. I'm using tomorrow to visit some more graveyards. Starting thursday I'm going to start going to museums.

Tonight I'm settling in and making some mixes. Hopefully, if my internet works, they'll be up before tomorrow morning. But even now, my internet at home is broken, it always is.

I really like Paris.

Saturday, October 6, 2007

Oh, sleep!

Ok, home, nuit blanche is coming to a close. I'm sleepy.
Very.

But a bit of a treat before I go to bed.

France Gall and Serge Gainsbourg - Poupée de cire, Poupée de son


Arcade Fire - Poupée de cire, Poupée de son.
(I know i'm not an arcade fire fan, but its a good cover)

p.s. Read my friend Steve's blog. Stevenixx.blogspot.com


g'nite

Thursday, October 4, 2007

A walk through Paris, in three parts.

Fallen Idols


Today I went to the cemetery. Its something I've been meaning to do since I arrived here in Paris. I brought a camera, expecting to make a journal entry on my blog with photographs.

The graveyard was huge. Tombstones were elaborate. I visited my Idols, generally, they were difficult to find. A writer's death is rarely glorious, its only sensible that their tombs wouldn't be either.

When looking for Man Ray's grave, one of a group of tourists who had spread out shouted, "I found it!" ecstatically. A bit of me cringed inside. Partially because of the voyeurism, partially because of the accent of American treasure hunts breaking the silence, but mostly for feeling so hypocritical.

I lingered, pacing through the rows of tombs, they loitered in front of his tomb. I didn't want to approach at the same time. I don't think that I could have enjoyed the pleasantries we might have shared if I'd gone over as a fellow tourist, camera in hand. What small talk of Man Ray could we exchange in front of his grave? Playing at the possibility of exchanging a smile or connecting on our foreignness seemed abominable.

I left soon afterwards. I needed a cigarette and I had a sour taste in my mouth. I felt somewhat disrespectful of the dead to smoke by their corpses. Maybe its the Canadian stigma towards smoking, but I would have felt as guilty as if I were to smoke around children.

Nonetheless, I thoroughly enjoyed it.






------

Flowers in a graveyard.

Who brings fake flowers to remember a loved one? The old graveyards here are full of them. About half the flowers are synthetic. They are also filled with living flowers, and fauna, and moss, and old trees, and vines. Its not so simple to say that I find them tacky. They are tacky, but tact alone doesn't fill me with this sense of repulsion (in all cases). What hurts me most about fake flowers in an old graveyard is their false permanence. Like they lost the lesson that comes with losing a loved one. Life lives, life dies, life continues, death continues -- and nowhere is it more apparent than in a graveyard. The wilting flowers, the dried up leaves, are more beautiful than any colour fading plastic. Its not a question of aesthetics.
The colours in the flowers were also the most fantastic part of my excursion to visit my fallen idols. Letters on a slab of concrete marking the resting place of something I revere is hardly as beautiful as a single rose or daisy left by someone else who shares my sentiment.






------

Sacre Coeur and "Cine, Ma Verité."

I got seriously lost today trying to find an area of town called Montmartre. I managed to walk all around it, in every direction. At one point I had walked so far in the wrong direction that I gave up on walking and took the nearest subway back to where I started in an attempt to try again.

At one point I ended up in a North African bazaar near to the Gare Château Rouge. Crowded streets, people vending corn from shopping carts that they'd retrofitted to work like a mobile grill.

Sacre-Coeur was grand. This is the first old basilica I've ever visited and been inside. Religious or not, it was breath taking, and not just because I'm an asthmatic who smokes and has a cold (and its at the top of a very large hill). Wandering through it, my eyes met with a gorgeous young woman and we shared a smile. In the church, you're not meant to speak, and even if we could, what do you say in this circumstance? To someone who most likely doesn't speak your language, and at place that is such a pilgrimage for Christians, many don't speak French either. That was it, a fleeting moment, and I was distracted from the grandeur of the architecture, statues, and stain glass. No longer able to concentrate on the sublime religious experience, I finished my stroll through and left. I'd seen most of it already at this point anyways.



After exiting the basilica, I sat on the front steps to watch buskers and wash down a baguette and Camembert with a beer that I'd brought along. I ended sitting there for an hour or more. When the sun finally broke through the hazy sky and I could see the shadows left by clouds hiding patches of the city. At this moment, I realized that I have my own bit of religion, cinema. I know, I know, cliché, whatever. But it was a different realization that I'd never had before, except for maybe once in New York. But living in Toronto, there are no Cinematic land marks. Of course you watch a movie, and you think, hey they're at so-and-so, but only because they chose a place in Toronto that the film makers thought they could pawn off as New York or Chicago, or any American city. Despite Toronto being filled with camera crews and actors, when you realize you're in the same coffee shop as so-and-so movie, it doesn't matter, its just a prop. But here, the whole city is cinematic. Even if its not the same land marker, you get cues from cinema. Watching the clouds part, and looking down on Paris, I feel like I know what Gérard is feeling in Paris Nous Appertienne when he is walking along the rooftop looking at the city. Its not a feeling that Paris belongs to you (as the title of the film, Paris Belongs to Us, suggests and the introductory quote opposes, Paris Belongs to No One) and in this moment you feel the film more intimately, you feel the city more intimately.


Walking back down the hill to a subway station, I run into a hotel that was the hotel that Antoine (Jean Pierre Leaud) worked at for a day or two as the doorman before he was fired and became a private detective in the film Stolen Kisses. On the metro back to my side of town, I realized that it was the same line that, again, Jean Pierre Leaud sat in (though this time playing Paul in Masculin/Feminin). I could see the scene unravel, a black man was shot over an argument concerning Charlie Parker and Bessie Smith, Paul sat there sheepishly - too shy to interfere or say anything and too curious to look away. Call me a fanboy, or a pretentious film nerd, whatever. I felt for a moment how I imagine people feel visiting the Sacre Coeur must feel, the mythology or the legend is brought closer to you. It stops being just an apparition.

In New York I had a similar experience getting out of the subway at Times Square. I don't give a shit about Times Square with its glitz and mile high billboards, this diatribe about religious experience isn't about the hype. When I got off of Times Square there is a wide marble walkway where I first saw the Rocksteady Crew break dance in Beatstreets.



-----------------
Mp3s
Serge Gainsbourg - Comic Strip
Feist - I Feel It All
The Velvet Underground & Nico - Femme Fatale
Francois Hardy - L'Amour Ne Dure Pas Toujours
Nina Simone - Love Me or Leave Me

Tuesday, October 2, 2007

My First Day at School

I've started work; back in school, but back in high school. This time from the other side of things. I'm going to describe as best as possible the sensation of returning as a teacher. Its a trip, and I don't know if I'll be able to describe the nuances of this new shift in my relation to schooling.
High school for me was a disaster. I was a horrible student, my grades were always poor. They were close to straight Fs from grade 8 until I was in university. In university, I wasn't the best student, but I was an exceptional academic. My professors were pleased to have me in their classes even if I wasn't getting the best grades. I don't have the discipline to be a student. I've always done my own thing, sat through class, and contributed in my own way. In high school, that never worked for me. I got pushed through the grades, but never with a credit. They told my parents at numerous "parent/teacher" meetings that they thought it was because I was bored with the material and that I'd grow into school. They'd say, as long as they pushed me through the grades, I would eventually find my place. I didn't, not until university. But going back to High-school, I understand why it didn't work for me. I was never interested in learning in a classroom in the ways they expect you to learn. But I don't hold it against them, they have their methods. A majority of the time it works. Students do acquire something in High-school, and thats the discipline to learn. If my problem with learning is discipline, I never learned that lesson.

I woke up early on Monday. 6:20 AM, I'm out of the house at 7. I didn't sleep well, I've got a bit of a cold and its hard for me to fall asleep any earlier than 1-2 o clock, let alone with the anxiety of knowing that I'm starting work for the first time the next day. Its still dark out when I'm walking to the train station. The commute is a hassle, I figured I'd try a new method. It turns out this method is slow. But its an interesting commute. I took a train that follows the Seine south east for quite a while before cutting back west to the station that I need to get to. I'm on the train for maybe 40 minutes, sitting on the second level of a train, watching past the river into the distance as the sun rises. Huge, breaking past thin clouds along the horizon before rising above them and disappearing.

I get to my station in the adjacent suburb, now I have to catch a bus towards my school. The bus is already there waiting for me. It takes maybe 30 minutes to get near to where I assume the school is. I realize that I have no idea where to get off, only the general area, and the general area in which to walk through winding houses that all look the same. I eventually find my school, an hour and a half late, and I left with just about an hour to make the commute. Everyone at the school is understanding that I'm late, but I can't once I have my own classes that will be waiting on me.

My first day at school I feel like an anomaly. I am one. I'm too young to be a teacher, too old to be a student, and the high-school politics that are in place don't apply to me. Curious eyes follow me in the halls, groups of girls cat call, groups of boys snicker. And for those less brazen, they just whisper.

I don't actually start teaching until next week, so my first day was just following english teachers to their classes and introducing myself, then sitting in on classes to get a hint of how students behave. It was awkward, I'm awkward! The first class, I'm told while walking to the classroom, is fantastic. The students are polite, quiet, smart, and seniors. This means nothing to me, I don't quite understand how high school works yet. We get to the classroom and they are, quiet, smart, interesting, and engaged. I introduce myself, and all the expressions on the students change, I guess until that moment, they didn't know what to make of me, sitting there silently in the corner of their classroom. Its like getting a french lesson backwards. I never took english grammar, I went to a french elementary school, and never really took an english class until university, where they don't teach you grammatical rules. It was interesting to see english broken down into rules, like I've had french broken down into rules for me.

Following the teacher to her next class, she warns me that the next class is hell. The students have no discipline, its difficult to teach, and no matter what she does, its impossible to accomplish anything. She tells me that she will be more like a military instructor than a teacher, and she doesn't enjoy teaching in this way, and that she has asked them to write down aspects of new york city as their home work assignment. She also tells me that she has little to no expectations. I don't know what to expect, but when I get there I understand. Her demeanor changes entirely, she has a complex system of punishment to keep the students in order, but they are beyond order. She says that its getting better, that they understand that there are certain repercussions for their actions, but by the end of class numerous kids are given extra homework; writing lines, copying pages, etc. as a means of punishment. One girl always talks back, does nothing except sighs and holds her head throughout the class. She tells me that she and her had a disagreement early in the sermester and that she has no hopes of turning her into a decent student because she has too much pride to change her behaviour at this point. I empathize with both of them. The teacher is not upset with her, she's more disappointed because she doesn't know what to do about it either, she still has to teach her class. She empathizes too, its nice to know that despite her harsh stance with the students, she understands.

After this class, I have a bit of time to kill before the next class that I'll be joining. I go outside to smoke a cigarette, not quite sure where I should be smoking. Smoking alone, in the parking lot, a couple students come up to bum a smoke from me. I don't know if I'm allowed to, but of course I do. Turns out the boy is a british kid from essex who likes modeselektor, and dislikes the whole justice / ed banger fad. He's watched them go from nobodies at a little open mic bar that he hangs out at to having bodyguards and massive air time in mcdonalds. He's also in love with detroit techno and ghetto-tech, cool. He tells me that all the seniors at this school are great but to watch out for the 2nd years, they're a pain in the ass. I was already under this impression.

My last class was fun, it was a different teacher, and she was teaching them Australian colloquialisms. She tells me before the class that I should be introducing myself as Mr. Gray and not Andrew, obviously not something I'm used to. I reply with the first cliché that comes to mind, "Mr. Gray is my father's name, I've always been Andrew to this point." After a brief exercise, she brings me into her lesson. Without much of an introduction (she tells them that I'm from Canada and will be an english language assistant at the school) she has them break into groups of two and write down 5 questions, 3 about myself, 2 about canada. I feel like a show and tell prop. It seems like all the questions they had to write down were about me, because she had to fish them for questions about Canada, and it would be dead silent, but otherwise there was a torrent of hands being raised.

A couple questions they asked:
q:What do you like about Paris?
a: I like the old architecture
this is much too complicated for them, and the teacher has me repeat it until they understand.

q:Do you have a girlfriend back in Canada?
a:*smile* Its complicated.
I don't think they understand. And the teacher, thinking this is an awkward question, for the first time, doesn't ask the class: "do you understand?" and have me repeat my answer. I wouldn't have mind clarifying. But it was one of those questions that High-schooler's ask and everyone snickers, why is it so taboo to ask?

Sunday, September 30, 2007

So that burning smell...

was my external hard drive...

It was mostly backed up.
except for all my music!

good thing my reggae and dubstep are all on my laptop, or i'd be fucked.

but all my other sets, all of them (baile, electro, "electro," minimal tech, house, jungle, rock, psyche, prog, tropicalia, jazz... 200 gigs of you get the point).

Fucking fuckers.
and I thought it might have just been the external case.

so i opened it.
and a chip had melted.

any suggestions?

Alert: somethingsentimental.blogspot.com takeover.

Almost four years ago. I ran into a friend who would later be one of the most important people in my life. It was in front of an arcade on Yonge street. I was with my friend Mark, and we suggested that we go, get some booze, and drink it at his place which was close. My friend who I had bumped into had never drank before, go figure. So, at the LCBO, we decided to buy something that would appeal to someone who has never drank, especially hard liquor. What we ended up with was a series of promotional samplers for absolut vodka each with their own flavour. We figured that if one flavour disagreed with her, she could always try the next -- that is until she found a flavour in liquor that she enjoyed.
That afternoon we did drunken arts and crafts, we each drew or made something special for each other. What I had ended up with was a series of origami stars trapped inside a miniature Absolut Kurant bottle with the explicit instructions to open a star when I needed some reassurance or something special. Well, I'm generally a pack rat, sentimentalism is something I carry with me wherever. But if you're reading this blog, I'm sure you understand that I'm working to get over that (it isn't just Ironic that the name of this blog is nothingsentimental). None the less, when I came out here, I came with four pieces of sentimentalism, a pewter box, a wooden box (that my parents bought when they were on their secret wedding/honeymoon in Niagara falls), a framed photograph, and a miniature bottle of Absolut Kurant. Four items that I've carried with me on all my travels since I've received them, I'll always be a sentimentalist.
These items have been most likely forgotten by the gift givers, or in the case of the wooden box which was a found object that was already well forgotten before I had asked for it. But I remember them, the context, the words that were given when the objects were given to me.
The Absolut Kurant bottle though remains the most important, and I don't know whether the reason it still has stars in it is because I've been strong enough to get through all my moments without any outside reassurance, or if the remaining stars are just too big to get out of this tiny bottle.
In any case.
I just used the screwdriver that I use to repair my glasses to fold and pull out one of the remaining stars in the bottle. Not because I'm sad, or need reassurance, but truly at this moment, I miss two people in particular, the two people 4 years ago that sat down and finished off the sampler pack trying to find a suitable alcohol. Mark Hamilton and Annalisa Candido. More than anything in the world, I love you two people, I'm sorry, I have to say it, I couldn't say it enough in the last year, in fact I probably said it in such a way or place that it seemed like more of a formality than anything truly heartfelt. And such was the last year for the three of us. Fucking holy trinity that fell apart.
And I remember sleeping on a banana chair, I remember mattresses wrapped in plastic to scare away the bed bugs, I remember Dovercourt, and I remember two very important years of my life that was wholly dedicated to those two individuals.

fuck,
well.
fuck nothingsentimental for a moment.

The star that I pulled out of the Absolut Kurant bottle was the first one in maybe 2 years. I plan on carrying it for the rest of my life and there is only 3 more remaining. I need to ration them!

The message was (in quotations no less)
"I love you guys"

Thursday, September 27, 2007

Re-reading

"I've made my life into a script. My calendar is my blocking, my cellular phone is to remind me of my cues. I'm late, its part of the performance, this character only ever shows up on time for dinner, dates, and disasters. My stage right now is a street car. I play myself as a writer, I'll exit at the front of the stage when I've arrived at the end of the line. The scene asks for the white noise of multi-cultural toronto. Languages bleed together in to form a polyglot ambiance. It fades out to only the humming of florescent lights, illuminating advertisements."

I wrote this a while back when I felt most trapped in the city and in my life. Re-reading some of the writing in a couple of the old notebooks I brought with me, for some reason this one stood out. Maybe because I recognize this feeling as being something wholly Toronto. The line, "I play myself as a writer, I'll exit at the front of the stage when I've arrived at the end of the line" didn't quite make sense to me, I thought I had just written it in a hurry, and a lot of my hurried writing doesn't make sense in retrospect. But, after thinking about it for a second, I remembered when I wrote it - On a Spadina street car waiting to get off at the subway one winter morning on my way to work. And the context brought the whole piece back viscerally to me. I think the reason it caught my eye was because its so specifically Toronto. Its something I take for granted for when writing it, or reading it, while in Toronto.

It feels a bit like the dead.
,, Tu " fui
,, Ego " eris
What you are, I was
What I am, you will be

These words marked the entrance to an old Crypt in Brno, Czech Republic.

Wednesday, September 26, 2007

Out of the U.S. of A.

-----post gone-----

Cheese

If I were a dry erase board.

You were a sharpie.

"< !!! >"